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Various Artists: James Holden at the Controls (Resist) - 2 x CD

This is a very good mix CD. I say that with some hesitancy, because I've not actually heard it yet. But just looking at the tracklisting - Apparat, Plastikman, Nathan Fake, Fennesz, AFX - it must be really good. I will try to get around to it, someday.


Prince Douglas: Dub Roots (Wackies) - CD

More welcome Wackies re-issues. For those who haven't subscribed....Wackies: legendary but defunct New York reggae label slowly and lovingly being re-issued by Berlin's Basic Channel. Just get this for the supreme interpretation of Wayne Jarrett's 'Toungue Shall Tell'. A tune so drenched in heartbreak and judgment that it renders me numb every time.


AGF.3 & SUE.C: Mini Movies (Asphodel) - CD / DVD

Breathtaking collage of broken beats and broken language. Antye Greie's transaction between verbal and sonic observations. Notes taken under different environments, moods, lights. A subscriber to the outernational ethic: Think global, act global. Retinal stimulus courtesy of Sue Costabile: laptop-cooked mix of calligraphy, drawings, photo's, video, subtitles. This throwaway commentary cannot and does not reflect the subject matter.


Toshimaru Nakamura: Vehicle (Cubic Music) - CD

Still trying to work out how the fuck I've managed to overlook all his previous output. A chance airing over the sound system at Highgate's excellent Sound 323 shop was my first introduction to 'Vehicle'. A rigid process involving looping self-made samples of mixing board emitted signals means that the sonic palette focusses on decay and delay. Clever technique aside, its the cyclic nature of the music that engages; random bleeps, clips of feedback and sheared dub.


Peter Rehberg: Fremdkoerper (Mosz) - CD

His previous works as Pita have erred towards the more industrial, noisier end of abstractism. But on 'Fremdkoeper' (translates as 'foreign body') there's a classicist undercurrent running throughout. Unsurprising as this was composed for the theatre.


The opening depth charge of 'Mutsil' submerges the listener through pixel dispersment and weighted metal. 'Scream' hurts with a introductory burst of noise before baroque data forms an engaging narrative. '1407' detours with some exploratory drone / reverberation. Texturally adventurous, melodically rich, this is an enjoyable, accessible piece of experimental sound.

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This page contains a single entry by Sheikh published on April 2, 2006 10:46 AM.

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